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The Californian

by Sunday's Best

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1.
The Try 04:45
Everybody's hopes had died when you were crawling on the floor No one could keep hope alive when all they saw were wounds and woes They remember when it went south, one instance when you're down-- Dust had settled, you moved out of town You surrendered, then you found out... It's a crap out, a dead man's hand, a blink in a stare; It's lights out, an unmade plan, some bees in your hair Do we get no points for the try? They will all testify that everything falls around you "Another good guy lost," is how they would describe you "Too bad what could have been..." You tuned out and got up again Pretended not to care. Remembered not to care I heard what they sold you; don't let it hold you You can have what you want now You need to want what you have We need no points for the try
2.
Falling down again, this feeling that you know so well A child scraping up his knees... Who's kissing the cuts and chasing behind you? Leo says that, "there's no victims, only volunteers." I think that I believe that if there's a crime There must be a crime scene Sorry that we peaked in my California teething Word on the street: the deal had been queered for quite sometime Small print too small to read-- "Take the tourniquet off and an artery will breathe" The East-side summer air, thick with smog and chaparral Hangs waiting for a breeze Autumn, my friend, I hope that you've missed me Whoa-ah-oh...that's what they say...
3.
Trace around her lips with his fingers, he tries to draw on a smile "Give it time. These scars are the stars that will show you the light." And now she's all he sees; He stays awake to watch her breathe the unheard Melodies; the grace notes of her restless sleep Hold me now, don't let it fade away from here. It's so clear… His tattered undershirt—a souvenir that she likes to breathe in She sighs—days doing nothing unconscious of time And now he's all she sees; She stays awake to watch him breathe the unknown Poetry; sweet sonnets of how it should be And everybody might just have these same ideas-- These same plans--I suppose... We've found a perfect niche: Where plastic meets perfect, kill substance for style... But inside, we get burned by the fuel that we cannot deny
4.
Say what you want to So what does that prove? In the end, we will see our truth I'll hand it to you You sure had me fooled You sure you want my truth? You've heard it all before All the things that you have All the things that you had: Was it really so bad? We did what we had to So why do I miss you? I heard what you said, but I know how you think Just know that no one's ever going to take it away… You were right You're still right
5.
I wish today was not the same tired routine we always do Let's trade it all for a shot in the shade Ever see The Getaway? I'll be McQueen, you'll be Ali MacGraw; we'll fight the law So what do you say? We'll drink us silly way too soon And start a fight at the bar: A life of cigarettes and spoons... Would that be all right? I don't care about the cash or what they'll take in trade I thought I heard you say, "Only if we had it made..." This could be our Great Escape from what we are and what we want We'll laugh and just put the foot on the gas... Maybe I have got it wrong, maybe this is where we belong: This town, this house, with the clothes on the couch Squandering lazy afternoons reading dog-eared books Listening to sappy tunes... Are we all right? I loved it when you said, "I think we have it made." Black and white cats, asleep on the stoop: We could just be, we don't have to go far Morning light, can't keep out of the room
6.
Sell off your fables, stitch on their labels, I don't mind Hooray for Hollywood The drinks are free and the handshakes mean your good. Hooray… Parade around the room Where finger-points mean your singing the same tune You've impressed all the suits You can re-shoot these scenes Rewrite the place and time Did you forget the things? They're always on my mind Give it time Hooray for the brand new you Just another fool who lines the avenue. Hooray for gratitude.... Now you're nobody's news Came all this way and no closer to the truth. Hooray for attitude...
7.
9:00 am. She gets in the car hoping things will change this time around "I wonder what they're going to say now," She whispers as she reaches for the radio dial She's lost all her feeling, she thinks they are scheming; It's a game she plays in her head This is it. This life This is what you wanted all along He watches the wheels turn around, each revolution passing him by "I give myself 2 years," he cheers. 2 has turned to 5 to "way too long." He's alive and he's breathing, but living without meaning He might as well be dead Don't hold back. Take it to the people These things will turn your head around... They rolled over paths to travel streets of gold (now turned to gravel) They forgot to roll the map out in their search for hope or glamour...
8.
I remember my old Beethoven Street: With the market on the corner always closed A place that will never change in time; When you find it you can tell that it's mine Backyard in the sun, runners up at dawn Motorcars with mufflers charged raced after dark... I knew I could never really leave: There's a handprint on the sidewalk I've outgrown In a place that I will always call my home... Never forget it. Never leave it alone Never let it go now You know Beethoven was my own
9.
Whispers didn't stop me from hearing it. Make it stop Thick skin never stopped me from feeling it: "Maybe there's reason you haven't made it yet..." We're brave but brittle so savor the little time that you shine We choose... Hard luck never stopped me from taking risks. Never stop Fought back with free thought and English Lit "You're just one more habit I have to kick." Strip back the details and it comes down to 2 or 3 Telling moments when I knew it was you or me Pointing fingers at each other so easily...
10.
We packed up and moved 'cross town Leaving Los Feliz, Griffith Park And the breakfast spots where we used to haunt The shine of Hillhurst days: Broken windows of my car Neighbors setting off their fire alarms Crisp nights you could feel Remember the view from the hill? Moon dividing up the man-made lake... Don't forget those days we stayed in to escape the race Days we hid from the phone and made out Left the world alone We were standing in the light Hoping to catch a glimpse of what we thought was right Thursday night at Bigfoot Lodge Rubbing shoulders with the slobs… Passed us a Walker on the rocks Crisp nights too unreal… We are standing in the light Waiting to catch a glimpse of what we know is right

about

If there is ever some sort of indie rock awards, someone please make sure Sunday's Best vocalist Ed Reyes gets a nomination for best vocals. No doubt it's easy to overlook, but to a large degree Reyes' tone and melody help carry the L.A. quartet on their sophomore LP for Polyvinyl Records. The music on The Californian is even more stripped down and simplistic than their debut full-length, Poised to Break. Thankfully Reyes has such a heavenly voice, for just about any other vocalist would surely find a way to ruin these pop songs. Sunday's Best has definitely matured, slowing things down and seeming content with good songwriting and hooks galore instead of the dual guitar wankerings and yelling vocals seen on their past works. The story behind the album involves lineup changes, divorce, drug abuse and recovery, and everything that comes along with it. That being said, it's easy to understand that there are a few dark undertones on some of the tunes ("Don't Let It Fade," "The Salt Mines of Santa Monica," etc.). It's all pretty subtle, but The Californian is one of those pleasant indie pop albums that will fly under the radar with many, but surely deserves a listen by all. And although this theory hasn't been tested, The Californian is most likely a great summer driving record, as is typical of the best indie pop albums. While the front of the album seems to be a bit stronger than the latter half, both parts chime in with the acknowledgement of strong music written well and executed with the capability that only comes with great maturity.

(AllMusic Review by Kurt Morris)

credits

released May 14, 2002

Ed Reyes - Lead vocals and guitar
Ian Moreno - Guitars and keys
James Tweedy - Bass guitar and backup vocals
Tom Ackerman - Drums and backup vocals

Recorded and produced by Tom Ackerman and Tony Lash.
Mixed and mastered by Tony Lash.

Music by Sunday's Best (Ackerman, Moreno, Reyes and Tweedy), lyrics by Ackerman and Reyes. All songs published by Atlas Cedars Music/Bent Wookie Music/Remember How Good It Was (ASCAP).

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Sunday's Best Los Angeles, California

Sunday's Best was a Los Angeles-based indie rock band that was active from 1997-2004. Band members were Edward Reyes, Ian Moreno, Tom Ackerman, Pedro Benito and James Tweedy. The band released 2 full lengths and 1 EP. Associated bands are The Jealous Sound (Benito), The Bronx (Tweedy), The Little Ones (Reyes and Moreno), The Kite-Eating Tree and Skiploader (Ackerman). ... more

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